Simfonija ruku „DV essay u tri digitalna stava“, posvećen „VORKIJU“, inspirisan Vorkapićevim konceptom o vizuelno-zvučnoj amalgamaciji filmske strukture. Vizuelni materijal predstavljaju slike italijanskih renesansnih majstora (na muziku Džona Percela), srpske srednjevekovne freske (na muziku Stevana St. Mokranjca) i savremene fotografije (na muziku Čarlsa Mingasa).

The symphony of hands “DV Essay in Three Digital Movements,“ dedicated to “VORKI,“ inspired by Vorkapic's concept on visual and sound film structure amalgamation. Visual material is presented by the Italian renaissance masters' works (to John Purcell's' music), Serbian medieval frescoes (to Stevan St. Mokranjac's music) and contemporary photographs (to Charles Mingus's music).

Vlada Petrić

Rođen 1928. godine. Profesor istorije i teorije filma, esejista, pozorišni, filmski, DV reditelj. Filmovi: Kobna žeđ (1955), William Shakespeare (1964), Kavez, druga priča u filmu „Vreme ljubavi“ (1966), Light Play: Tribute to Lazslo Moholy – Nagy (1981-83), Wall of Memories (Zid uspomena), „a personal DV essay“ (1997-2007). Knjige: Čarobni ekran (1962), Šekspir i film (1964), Uvođenje u film (1968), Razvoj filmskih vrsta (1970), Film and Dreams (1981), Constructivism in Film (1987)

Born in 1928. Professor of the History and Theory of Film, essayist, theatre, film, DV director. Films: Fatal Thirst (1955), William Shakespeare (1964), The Cage, second story in the film “The Tome of Love“ (1966), Light Play: Tribute to Lazslo Moholy – Nagy (1981-83), Wall of Memories, “A Personal DV Essay“ (1997-2007). Books: Magic Screen (1962), Shakespeare and Film (1964), Introduction to Film (1968), Development of Film Types (1970), Film and Dreams (1981), Constructivism in Film (1987).